Perfected in the 1770s resulting from years of experimentation to echo the cameo-like effect of a Roman object called The Portland Vase that was the talk of 18th century England, jasperware was Josiah Wedgwood’s great technical triumph—an unglazed, satin-matte stoneware body stained throughout with metallic oxides to achieve an unmistakable range of hues. Inspired by the rediscovery of Pompeii and the growing European fascination with classical antiquity, Wedgwood adorned his creations with relief figures modeled after Roman friezes and carved cameos. The result was something entirely new: ancient in spirit, yet brilliantly modern in execution.

This antique teapot with matching cream and sugar embodies that legacy beautifully. Crafted sometime between 1891 and 1908 (country of origin was not marked on pieces before 1891, and "Made in" would be added to "England" after 1908), classical figures in flowing drapery move gracefully across a powdery blue ground, framed by garlands and ornamental borders that feel lifted from a marble temple. The soft matte finish gives the surface a velvety depth, allowing the crisp white relief to stand in gentle sculptural contrast.

By the 19th century, jasperware had become synonymous with cultivated taste—equally at home in aristocratic drawing rooms and refined middle-class parlors. This lovely tea service is a handsome addition to any tea lover’s collection.

Strictly one-of-a-kind and subject to prior sale. Teapot: 8.5"D from spout to handle x 5.25"H. Creamer: 5.25"D x 3"H. Sugar: 5.5"D x 5"H. In very good antique condition with only discreet signs of age-appropriate wear.

Learn More About Jasperware

A type of fine-grained, unglazed stoneware introduced by the English potter Josiah Wedgwood in 1775, Jasperware derives its name from the fact that it resembles the natural stone jasper in its hardness.  

Jasper is white in its natural state and is stained with metallic oxide coloring agents. The most common shade is pale blue, but dark blue, lilac, sage green, black, and yellow were also used. 

Decorations, typically Neoclassical in style and usually white, were made in separate molds and applied to the body of the piece. Objects made of jasper were varied and included not only biscuit barrels, but also vases, plaques, cameos, furniture mounts, and portrait medallions.